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A young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer.
“Widescreen” refers to a larger width to height in the frame, compared to earlier historic aspect ratios. A “feature-length film”, or “feature film”, is of a conventional full length, usually 60 Dumbo minutes or more, and can commercially stand by itself without other films in a ticketed screening.
A “short” is a film that is not as long as a feature-length film, Dumbo often screened with other shorts, or preceding a feature-length film. An “independent” is a film made outside the conventional film industry.
In US usage, one talks of a “screening” or “projection” Dumbo of a movie or video on a screen at a public or private “theater.” In British English, a “film showing” happens at a cinema (never a “theatre”, which is a Dumbo different medium and place altogether). A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theater usually refers Dumbo to a place where live, non-recorded action or combination thereof
occurs from a podium or other type of stage, including the amphitheater.
Theaters can still screen movies in them, though Dumbo the theater would be retrofitted to do so. One might propose “going to the cinema” when referring to the activity, or sometimes “to the pictures” in British English, whereas the Dumbo US expression is usually “going to the movies.” A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a Dumbo digital projector. Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism Dumbo that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and Dumbo have only a day or two to formulate their opinions. Despite this, critics have an important impact on the audience
response and attendance at films, especially those of certain genres.
The Dumbo impact of a reviewer on a given film’s box office performance is a matter of debate. Some observers claim that movie marketing in the 2000s is so intense, well-coordinated and Dumbo well financed that reviewers cannot prevent a poorly written or filmed blockbuster from attaining market success. However, the cataclysmic failure of some heavily promoted films which were harshly reviewed, as Dumbo well as the unexpected success of critically praised independent films indicates that extreme critical reactions can have considerable influence.
The making and showing of motion pictures became a source of Dumbo profit almost as soon as the process was invented. Upon seeing how successful their new invention, and its product, was in their native France, the Lumières quickly set about touring Dumbo the Continent to exhibit the first films privately to royalty and publicly to the masses. Dumbo
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